Murphy's stories about rabies intrigued her husband. \"I started to think about all the cultural resonances of that and even just of the word 'rabid,' \" Wasik says. \"So we realized that it would be fun for us to work on a book together about it.\"
But rabies is rarely seen in this country; Murphy didn't see a rabid dog in person until she traveled to Indonesia during an outbreak. There were limited measures in place to control the spread of rabies; mostly, people shot the sick dogs. \"Despite the large-scale culling efforts, the virus continued to spread around the island and many people died, so it's good that eventually the government came around to vaccination,\" she says.
This volume of 384 pages encompasses 25 Chapters with 1295 references ranging in time from 460BC to 2004AD. In itself, this book is a march through the history of rabies beginning in ancient Egypt, Greece, and Mesopotamia; through folklore diagnostics and cures such as an early human vaccine, the saliva of a rabid dog neutralized by the GI juices of a frog; through the era of Pasteur, and now to genetic recombinant constructs with various other viruses. It is all here, and in a tempero-geo-political context.
Any person causing the death of an animal, either wild or domesticated, suspected of being rabid shall cause the head of the animal to be presented to a county health unit of the county in which the animal was killed.
In the subtitle of my book, the in functions as a preposition, and it says what it means to: here, in this book, are some thoughts and some practices related to, helpful for, significant regarding waiting on God.
Anchor Bay's DVD of Rabid Dogs / Kidnapped sports dual versions of the film, both of them excellent enhanced transfers. The clear audio is in Italian with English subtitles. 1 A lengthy interview doc called End of the Road allows Alfredo Leone, Lamberto Bava and actress Lee Lander to explain the headache-inducing series of events that caused the movie to be locked away for twenty years. Ms. Lander was actually the one to free the film from cinema limbo.
1. Tim Lucas recorded his commentary with the understanding that a set of subtitles he wrote for an earlier Lucertola Media DVD release would be used. With new subtitles in place, some of Lucas' comments no longer make sense, as they refer to the older translation. Return
A colony of feral cats in a wooded area next to Walmart's garden center is believed to be attracting wildlife to the area and may have contributed to incidents involving individuals who were bitten by a rabid fox last week.
Rabies in mammals typically has an incubation period of three to 12 weeks, Spillmann said. Following a bite from a rabid animal, the virus enters the muscles, nerves, spinal cord and then the brain, he said. It multiplies and causes severe inflammation in the brain.
Dr. Buddy Bruce, who is with the Animal Health Center in Opelika and is the Lee County Rabies Officer, said the large bobcat was discovered swimming in a lake on private property in the 700 block of Lee Road 2049, in Beauregard. The bobcat had wounds on it and likely had been bitten by another rabid animal.
The clunks start with the first scene. Duvall is at a nightclub table with a twelve-year-old girl--his girlfriend's daughter, we learn--and is teasing her about dancing with him. The sequence could bear a subtitle asking us to note that this man, despite what happens later, has heart. The pieces of the plot are then slapped in, often with Duvall speaking what sounds like improvised staccato dialogue, as he accepts his hit assignment, goes to Buenos Aires, and meets the aggrieved people who have hired him through some Argentinean criminals. He makes preparations for his job that are unexplained and unbelievable; then he happens to see the lovely Luciana Pedraza tangoing marvelously in a dance hall, and cannot, as Yeats said, know the dancer from the dance. The businesslike hit man goes tango-mad.
Film-making countries often develop signature plot devices. For instance, many recent American films dwell on strange relationships between criminals and police. (Dark Blue, discussed here a few weeks ago, isn't even the latest of them.) In France one of the recurrent devices has been the conjunction of people who wouldn't ordinarily meet. It's not the \"they gotta meet cute\" of Hollywood romantic formula: these French films sometimes have no romance in them. Years ago, its title forgotten, there was a French comedy about a judge, motoring on holiday, whose car breaks down and who has to stay at an inn run by (although he doesn't know it) professional thieves. In The Two of Us a Jewish child is quartered in wartime with an old man who is a rabid anti-Semite. Now comes That Girl From Paris.
Nothing Ever Dies, a nonfiction sequel to The Sympathizer, was a finalist for the National Book Award. But readers expecting the same even-handed approach to the meaning of the war in Vietnam will be disappointed. Rather than the sustained cultural history promised in its subtitle, the book is a discursive and tendentious personal essay blending Cultural Studies and Late Marxism. Its strengths include the author's justifiable bitterness over the United States' devastation of his birth-country as well as Laos and Cambodia; Nguyen also has a deep knowledge of Vietnamese, Cambodian, and Korean film and literature.
It should perhaps be pointed out straight away that the book’s subtitle, “American Anglophobia between the World Wars,” is misleading. It is too reductive since in fact the period covered extends to the Second World War and even a little beyond, with references to the Marshall Plan and the creation of NATO in the last chapter. Generally, when the coverage does not coincide with the title, the coverage is smaller and the reader feels short-changed. But here, we have the opposite, and we can only rejoice that World War II should be included, as it gives an essential perspective to the debates of the interwar years, which remain the central subject of the book. It should also be pointed out that Isolationists will be disappointed in this book, since the author, far from vindicating their position, associates it with “parochialism, a widespread ignorance of foreign peoples and cultures.”  In fact, probably unintentionally, Moser’s general tone calls to mind the “Theme of the Volume” in Churchill’s The Gathering Storm (The Second World War. Volume I: Preface): “How the English-speaking peoples / through their unwisdom / carelessness and good nature / allowed the wicked / to rearm.” “(Parochial) unwisdom, (ignorant) carelessness and (misguided) good nature”: these are in fact the three pillars of Moser’s argument. As he says in his Conclusion: “Stereotypes and historic prejudice, not rational regard of American interests, motivated a great deal of U.S. policy toward Great Britain throughout the period considered here.”  This he derives from what he calls “the national myth,” which “encouraged in Americans a belief in the inherent evil of power politics as practiced by the British,” whereas “to most Americans, moral principles, and not national interests, were the only justification for foreign intervention.”  Interestingly, the book does not give many examples of international “power politics” as practiced by the British or Americans, but it gives a wealth of information on American domestic “power politics.” The battles between political parties are exhaustively documented, as are the differences between Eastern and Western or Northern and Southern politicians, the conflicts between Presidents and Senators, the contrasting attitudes of native-born and foreign-born Americans, and the antagonism between sophisticated liberal intellectuals and the uneducated rural electorate. What emerges from the book is that American policy towards Britain was hardly ever guided by rational arguments. Instead, Britain was a sort of “political football,” used by different players at different stages in the domestic political game. What Moser very convincingly demonstrates is that the same man could one day attack Britain, if this served his political purposes, and the very next day support Britain, if the wind had changed. Now, conventional wisdom has it that there was nevertheless some consistency in this, since the attitude towards Britain was in point of fact dictated by the average American’s perception of foreign threats. This idea we could call the “foul-weather” friend theory: America pooh-poohed Britain when there seemed to be no need for friends, but befriended Britain again when enemies appeared. Moser shows that this theory may be valid for the post-1947 period, but certainly does not account for the period when the Nazi threat was (or should have been) obvious to all. The description which he gives of the debates on Lend-Lease during the winter of 1940-1941 shows that American Anglophobes were still grinding their own individual axes, with little regard for the ultimate interests of the United States: “Conservatives saw it as a presidential effort to emasculate Congress; nationalists feared that turning over arms to Great Britain would weaken the military strength of the United States; pacifists believed such an obviously unneutral act would draw the U.S. into war; and anglophobes opposed helping Great Britain on general principle.”  The last point is interesting, as it constitutes an underlying theme of the book. As reportedly expressed by a Senator, American Anglophobia was due to “the memory of the redcoats.”  Less cryptically, it rests on the idea that the nation that freed itself from British Imperialism should never do anything to bolster the British Empire. Defending the British position in the world was an “immoral